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“She could have delivered anything to anybody at any time.”They wrapped for the day. Hunching over her on his cane, he asks her to name the “longest personal relationship” of her life. “It did not succeed,” she answers weakly.“Not ” It’s at that moment we see the “whole human being” Joanna believes herself to be crumble before our eyes, trapped like a sea creature in a fisherman’s net. Now, with a fat finger waving three inches from her face, Meryl heard the words “Were you a failure at the one most important relationship in your life? When she did, he gave a little shake of his head, as if to say, “No, Meryl, you weren’t a failure.”Who exactly was up on the stand? No matter what you do, the pain is always there in some recess of your mind, and it affects everything that happens afterwards. But, just as a child does, I think you can assimilate the pain and go on without making an obsession of it.”When Benton saw Meryl glance to the side, he noticed Dustin shaking his head. You didn’t fail as a mother.” Amid the rancor of the court proceeding, it was a final gesture of the love they once had.When they returned to the Tweed Courthouse, it was to shoot one of the most wrenching scenes in the film: Joanna’s cross-examination by Ted’s lawyer, John Shaunessy, played with cowboy-like bluster by Howard Duff. Before the take, Dustin had gone over to the witness stand to talk to Meryl. Was it the actress who had stormed into the hotel room, guns blazing, telling three powerful men to re-write their screenplay? As she sat on the witness stand, defending her life, was she thinking about John? They filmed the remaining testimonies, and the court sequence was in the can. ”“Oh, I did them for years,” the woman said, “but I burned out. It was just too painful.” She added cheerfully, “I really love what I’m doing now.”“What?On the second day, they continued shooting the opening scene, when Ted follows the hysterical Joanna into the hallway.
(Meryl hadn’t bothered with beauty magazines since high school.) They all featured profiles of working mothers, brilliant judges who were raising five adorable children. Suddenly she just felt incapable of caring for herself.” In other words, she was nothing like Meryl Streep, who had always felt supremely capable.The assumption now was that any woman could do both: the dreaded cliché of “having it all.” But what about the Joanna Kramers, who couldn’t manage either? When he first saw the set, Dustin said, “My character wouldn’t live in this apartment.” The whole thing was quickly redesigned to fit whatever was in his head.Meryl spoke with her mother, who told her, “All my friends at one point or another wanted to throw up their hands and leave and see if there was another way of doing their lives.”She sat in a playground in Central Park and watched the Upper East Side mothers with their perambulators, trying to outdo one another. She thought about Joanna Kramer—who after the movie came out, “the more I felt the sensual reason for Joanna’s leaving, the emotional reasons, the ones that aren’t attached to logic. In contrast to most films, they would shoot the scenes in order, the reason being their seven-year-old co-star.He should look like Meryl: a constant reminder of the absent Joanna. Some of the marketing executives at Columbia thought she wasn’t pretty enough. They thought that she was a character actress,” Richard Fischoff said, describing exactly how Meryl saw herself.But she had her advocates, including Dustin Hoffman and Robert Benton, and that was enough to twist some arms.